A

Forge

Dark, bold, high-contrast. Near-black backgrounds with amber accent. Full-bleed imagery. Feels like the inside of a workshop.

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B

Precision

Clean, light, technical. Warm off-whites with blue-steel accent. Serif headings with structured grid. Feels like a technical specification.

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C

Workshop

Warm, textured, grounded. Earth tones with rust accent. Split-screen hero, bold typography. Feels like a well-used, respected workspace.

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D

Brand

Built from your actual logo colours — navy blue, steel grey, and welding-spark yellow. Navy header, yellow CTAs, I-beam inspired mark. The most "on-brand" direction.

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D2

Blueprint

Same brand colours, different attitude. Condensed industrial typography, horizontal service bands, square project grid, diagonal section cuts. More editorial and structural.

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D3

Brutalist

Brand colours pushed hard. Massive ghost type behind the hero, staggered service rows that alternate sides, asymmetric project grid, yellow corner-bracket image framing. The one that stops you scrolling.

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D4

Structural

The page IS a steel structure. I-beam SVG section dividers with bolt holes, diamond-plate texture strip, structural grid overlays, cross-brace patterns, flanged plate connections between image and text in service cards. Placeholder images show where workshop photography, drone shots, and detail close-ups should go. The most thematically committed concept.

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D5

Raw Steel

Steel grey IS the dominant colour — not navy, not blue. Charcoal darks, warm concrete background, spark yellow accent. The site looks and feels like the material itself. Same structural I-beam elements as D4.

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D6

Workshop Floor

Dark gunmetal, warm concrete, hot metal orange accent. Like walking into the fabrication workshop lit by welding torches. Warm and industrial. Same structural elements.

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D7

Galvanised

Cool blue-grey zinc tones, crisp off-white, safety yellow accent. Clean and precise, like freshly galvanised steel. The coolest and most technical-feeling direction.

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D9

Riso Zine

Risograph print zine. Fluorescent pink + federal blue overprinting on cream, halftone dots, intentional 3–4px misregistration on the wordmark, rotated polaroid stickers with hand-drawn marker arrows. Workshop apprentice fanzine energy with real typographic discipline.

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D10

Swiss

Post-Swiss modernism. Schibsted Grotesk + JetBrains Mono on warm paper, deep signal red accent. 12-column grid discipline, services as numbered catalogue table, A–Z capability index, crop-mark hero. Vignelli rigour applied to a Somerset workshop.

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D11

Blueprint

Ivory drafting paper with prussian-blue linework, rust-red revision accent. IBM Plex family, 8mm grid, drawing-sheet frame with crop marks and title block. Real SVG gate elevation with dimension lines, isometric I-beam, services as bill of materials, footer as engineering title block with hand-drawn signature.

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D12

Ironworks

Victorian trade card / 1880s ironworks letterhead. IM Fell + Rozha One on tea-stained paper, oxblood and muted gold. SVG arched headline, custom WF monogram seal, 5-line playbill hero, services as Roman-numeral trade catalogue with leader rules, projects as rotated cabinet cards. Asterism dividers throughout.

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D16

Mark

Logo-led classic. New royal-blue + steel + weld-spark amber identity. Centred logo masthead with a thin amber rule glowing beneath, DM Sans, restrained. Built around the new logo as the centrepiece — the version Richard could ship today.

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D17

Cinema

Logo on a full-bleed photo of the workshop. Royal blue + spark amber from the new logo, Schibsted Grotesk. Vertical weld-spark underline under "hand" in the headline, numbered blue tabs pinned to the corner of each service photo. Spark amber rationed to one accent throughout.

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D18

Split

Asymmetric split hero — type column with the logo as the largest piece of "type" on the left, building photo on the right. Cobalt + weld-spark amber from the logo, Schibsted Grotesk + Sora. Rotated vertical "EST. 2011 · SOMERSET" label sitting on the hairline divider, file-number caption system (WF-PF-07) running through services and projects.

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D13

Trust

Modern-clean, procurement-grade. Warm off-white, slate-blue, single safety-orange CTA. Hanken Grotesk + Source Serif 4. Italic pull-quote of values, numbered services index, contact block rendered as a real business card. Real building photo from the live site. The "we won the contract" Worsdale.

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D14

Workshop

Modern-clean, warm and human. Cream + walnut + clay terracotta. Hanken Grotesk + Instrument Serif + Caveat. Oversized handwritten "Richard Worsdale" signature, "How a job moves through the shop" strip with hand-drawn numerals, tilted "Established 2011" stamp on the hero. The approachable craftsman Worsdale.

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D15

Editorial

Modern-clean, photography-led. Ink on bone with rust italic accents. Hanken Grotesk + Instrument Serif italic. Fixed left-edge running TOC that highlights as you scroll, full-bleed building photo with mix-blend-mode type in the corners, asymmetric photo-as-card services, Plate I–V Roman-numeral captions. The art-directed Worsdale.

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D8

Dispatch

Editorial broadsheet. Cream paper, ink black, oxide-red accent. Fraunces serif masthead, drop-cap lead story, numbered service entries, magazine project grid, "colophon" footer. Frames Worsdale as a craftsman written about in a design journal — the opposite direction to D4–D7. Full creative mode.

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These are design direction prototypes — same content and page structure, just different visual treatments. Pick the direction that feels right and we'll build from there.